Wednesday, 21 October 2015

DILEMMA // Music Video

Because we are using projections we need to find images that we can use. However, one of the artist directors said that we have to use our own footage otherwise we will have to pay for it.

So, therefore me and Indie are going to film our own footage.

Over halfterm India is going to film the water element since she lives by the sea, I am going to film the fire element and the earth element and when we get back to school we will film the air element.

We will shoot this on GoPros

Shoot Day // Music Video


Friday, 16 October 2015

Set Designs // Music Video

Here are our set designs. It is important to do this so we get an understanding of how the sets should look and the people who are designing it get a good visual representation of how we want it to look.

Plain performance element:


Fire - bonfire and flames:


Earth - forest corridor:


Air - time lapse of clouds:


Water - water droplets falling down a window:

Guest Speaker // Polydor Studios

Polydor Records - Based in Kensington London 


In the lesson on Wednesday Emily (who commissions pop videos for Polydor Records) Came in to speak to us. She told us an overview about her job she said that she over sees what happens with the video process, give brief to director, check with director and helps to see what visuals go along with the track. 

These are some notes I made: 
Once everyone is settled on the idea they go to 5-10 directors depending on how specific the brief is. 
The director then puts in treatments, Emily's job is to see what videos the director are coming back with. 

Really important for them to make sure everyone has a rough idea of what the video will be. 
Decided on directors based on the brief - more performance or more storyline 

Directors are generally picked by production company.

Sit down with artist and label to get an idea, decided which one suits the artist 

Prep the shoot (2-3 weeks) see director of photography, editor, locations, casting, art direction. Over see what happens. Keep the budget in check - keep expectations

Styling alone can cost £3,000
Directors want to push it so far to get as much out of producers as possible.

Music videos - have fun - directors want to have this on their CV

The video normally goes to Vevo - offers more promotion then just putting it up on the band YouTube, get adverts on side, get more views

Process takes about a month and a half from when they get the track 
Editing can take 5-6 weeks


Year and Years - King (MUSIC VIDEO) made last December in LA
  • Director took on board most important things - dancers, LA, etc
  • have 5-10 treatments pick best one that artist and production company like
  • Storyboard so they know what to shoot when they get there
  • Digital Department - Thumbnails are negotiated 
  • day late may miss one of their thumbnails on the side of a Taylor Swift video
  • lost millions of views if don't get it done on time
  • Side of video gets you more publicity
  • Use dancers as metaphor for relationship
  • Incorporate other members of band in but make them look comfortable in front of camera
  • Production wise better shooting in LA (Years and years)
  • Budget was £20,000-40,000 so they had more money (up for awards, breaking internationally, selling more records) more pressure to make video good
  • Colour grade to make it look more white and milky
  • Used colour grade to mute colours to fit with the song

Other notes:
  • Label funds video 
  • Very rare to get good subtle product placement 
  • Budgets are 50% recuperable (artists will pay back with funds they make)
  • Vevo not just about money more about views 
  • Radios will play videos with more views to go with their age bracket
  • Labels spilt up so loads of different departments to make one video
  • Make most money off of Vevo platform
  • Depends on artists permission 
  • Some fans don't trust Vevo so want to release on their own channel to make fans feel that they are discovering the music
  • Try and get an edit that is safe (no nudity, alcohol, etc) Artists always want to push this

Ellie Goulding:
  • On shoot day shot exactly exactly same shots but without guns and alcohol to have a censored and un-censored version

They make videos that are represented of the artist.
Setting the tone of whole campaign
Simple concepts are best


Lucky Charms feat. Wiley
  • got inspiration from up and coming directors who have filmed cheap documentaries 
  • Like the colours and style
  • Shot in South Africa - same look as london but different lifestyle and not like all the other videos
  • Just sent the camera man out to shoot the video in South Africa
  • Under £10,000 


Trust your director and ideas - everyone has different ideas on what its going to look like 

Shooting on location or studio:
  • Studio good for controlling light and using graphic
  • Location often gives a lot more texture and depth on limited budgets 
  • Main stream audience loves a road trip video, not original but can make it different depending on location

You Call It by Dusky
  • Animations leading on to different parts and different ideas
  • Using posters as inspiration
  • Really trip
  • That director doesn't alway do animation  - mind is inspired by all sorts 
  • Got animator he liked to visual his idea
  • Animation is always tricky with budget and time cause it takes a lot time to make
  • Wanted it to look vintage but at the same time modern 


  • Visual should always reflect musicality of track
  • Build towards something at end
  • Years and Years - underwater bit during the middle 8 is the bit that keeps it non - repetitive
  • First verse - setting tone seeing artist 
  • Chorus you want choreography and main bit
  • When in treatment phase they are for styles of videos that are like the video they are going to make
  • Go to colour grades - to balance out and make some parts different
  • Colour grade is important for the video image - can change minds because of the style that it gives
  • Look is planned in advanced so they can know the style and feel of the video 



Thursday, 15 October 2015

Prop List // Music Video

Props:

  • 3 Projectors
  • Black sheets
  • Big sheets of tracing paper (for forest wall)
  • High Quality Projections:


We've had a change of direction so instead of having an actual backdrop we are having projections instead. We decided that this would be easier to film and gives us more space to do more creative shots.

- Earth: Grass, trees, forest (forest wall)






- Fire: Flames all around or a bonfire and her standing by it

- Water: Waves crashing and rain on window


Wind: Time-lapse of clouds

Wednesday, 14 October 2015

Shooting and Editing the Animatic // Music Video

In todays lesson we shot our animatic. This is where we have our storyboard and we film each shot for about 10 seconds. We then go up to the editing suite and edit the shots in the order we want and to the pace of the song. An animatic is important because it enables us to get a clear image of what we want our video to look like and we can have a idea of how repetitive the song is.



Tuesday, 13 October 2015

New Storyboard // Music Video

Here is our storyboard for our new concept:

Notes from meeting with Luke // Music Video

Here are my notes from our meeting with Luke:

Copyright Permission // Music Video

One of the requirements for our music video is that we send a email to the record company to ask for permission to use their song.

Today in the lesson while India researched names for our artist I sent the email the company:


The record label that Shura uses is:

This is the email we sent the record company:

Friday, 9 October 2015

CHANGE OF DIRECTION // Music Video

We have decided to go in a different direction to the glass box because when we talked to Luke (creative director) he said that we don't have any reason to put our 'elements' in the box and it was a burden to our group.

Therefore we have decided to go with using the elements and create an idea based around that. Here are the ideas that we have come up with:

Earth:

- Nature background with vines and leaves all around her
- She is being intwined by the vines
- Leave falling on her?



Water:

- Lying against a wall with water running down on her, black background to make the water look more subtle



Fire:

- Gold/red glitter falling
- Fairy liquid fire
- Fire eaters (around her)


Wind:

- Wind machines
- 2 dancers around her wearing a floaty dress 


Storyboard // Music Video

The importance of storyboarding is to help us plan our shots.
When Ollie Allgrove came to visit us he said that planning is key so therefore a storyboard is an essential part to planning our video. 












Thursday, 8 October 2015

Projections with Perspex // Music Video

My teacher found a piece a perspex and said that we could experiment with it for our glass box idea.
We decided to try projections are our first test. We found that this looked good when we filmed from the singers point of view on their face so we now have to question whether we actually need the perspex to make our video or if it will look just as good without it.








Monday, 5 October 2015

Projections // Music Video

When we were doing our storyboard I looked at how we could do projections and I came across this video by Emma Curl.


This video was one take had no post production and they were all in camera effects with projections.


We really like the way the shape projections look on her and the effects they have.


We also looked on google images and saw these pictures of projections that look really interesting:






Thursday, 1 October 2015

Glass Box // Music Video

We had to think about how to construct our glass box. Here is a rough idea of what we want to do:
We need to plan the size and how thick we want the glass to be. This is going to be a challenge because we don't want it to be to expensive or not thick enough. 

Timeline // Music Video

A timeline is a good way to plan your music video because you can easily see what goes where and the structure of the song.

Negus will say that this timeline is important because we can see the repetitive structure of music videos, the performance element and the extensive use of shot types.

A timeline helps us to plan out and see the conventions of our music video e.g the performance element. This is good because when Ollie Allgrove from Passion Pictures  came to speak to us he said that planning is key and you should have each shot planned out. He also said that we should have more footage then we need so we will shoot more shots then we state on the timeline.


Here is our main timeline from the rough copy to planning out our vague idea:







Here is our more detailed timeline:
This is a good way to plan out our music video because it is very detailed so we can see exactly what we see in the song. However, I still need to add the timings of when each shot will be.