I think that our animatic worked well and was a good representation of what we wanted to achieve.
Here are some words that sum up the evaluation of it:
Our animatic enabled us to see what shots worked well and how important the timing of them were, it was also a good visual representation of what our video is going to look like and it makes us see the repetition of music videos for example our chorus shots were the same everytime but the projections up would be different.
We had some ideas about what to have, on the front cover we are going to have the singer on the front and an image on the back.
We thought about what to have as the other images, other then a picture of her, and we came up with using some of my old photography photos of flowers on fire.
We thought that the simplicity of these images worked really well because they have some impact but at the same time they simple.
We also thought that it was a good image for our artist to have because it is different to anything people have seen before so they will be interested in our album.
If we use this it will have a fine art feel to it because there isn't a person in the image. This means that it can have more symbolism to it and be open to interpretation.
This is a digipak that Dom made as a starter for our digipak design. I really like the starting point that this has presented us however I think that we need to make some changes to get a colour theme and to make the artist the main focal point on the front page.
We agreed that trying to find a jetty and to shoot there is going to be very difficult to do because we have to consider lighting, weather, etc. We also want the covers to look similar so they blend into one making it look like a complete set.
Because we are using projections we need to find images that we can use. However, one of the artist directors said that we have to use our own footage otherwise we will have to pay for it.
So, therefore me and Indie are going to film our own footage.
Over halfterm India is going to film the water element since she lives by the sea, I am going to film the fire element and the earth element and when we get back to school we will film the air element.
Here are our set designs. It is important to do this so we get an understanding of how the sets should look and the people who are designing it get a good visual representation of how we want it to look.
In the lesson on Wednesday Emily (who commissions pop videos for Polydor Records) Came in to speak to us. She told us an overview about her job she said that she over sees what happens with the video process, give brief to director, check with director and helps to see what visuals go along with the track.
These are some notes I made:
Once everyone is settled on the idea they go to 5-10 directors depending on how specific the brief is.
The director then puts in treatments, Emily's job is to see what videos the director are coming back with.
Really important for them to make sure everyone has a rough idea of what the video will be.
Decided on directors based on the brief - more performance or more storyline
Directors are generally picked by production company.
Sit down with artist and label to get an idea, decided which one suits the artist
Prep the shoot (2-3 weeks) see director of photography, editor, locations, casting, art direction. Over see what happens. Keep the budget in check - keep expectations
Styling alone can cost £3,000
Directors want to push it so far to get as much out of producers as possible.
Music videos - have fun - directors want to have this on their CV
The video normally goes to Vevo - offers more promotion then just putting it up on the band YouTube, get adverts on side, get more views
Process takes about a month and a half from when they get the track
Editing can take 5-6 weeks
Year and Years - King (MUSIC VIDEO) made last December in LA
Director took on board most important things - dancers, LA, etc
have 5-10 treatments pick best one that artist and production company like
Storyboard so they know what to shoot when they get there
Digital Department - Thumbnails are negotiated
day late may miss one of their thumbnails on the side of a Taylor Swift video
lost millions of views if don't get it done on time
Side of video gets you more publicity
Use dancers as metaphor for relationship
Incorporate other members of band in but make them look comfortable in front of camera
Production wise better shooting in LA (Years and years)
Budget was £20,000-40,000 so they had more money (up for awards, breaking internationally, selling more records) more pressure to make video good
Colour grade to make it look more white and milky
Used colour grade to mute colours to fit with the song
Other notes:
Label funds video
Very rare to get good subtle product placement
Budgets are 50% recuperable (artists will pay back with funds they make)
Vevo not just about money more about views
Radios will play videos with more views to go with their age bracket
Labels spilt up so loads of different departments to make one video
Make most money off of Vevo platform
Depends on artists permission
Some fans don't trust Vevo so want to release on their own channel to make fans feel that they are discovering the music
Try and get an edit that is safe (no nudity, alcohol, etc) Artists always want to push this
Ellie Goulding:
On shoot day shot exactly exactly same shots but without guns and alcohol to have a censored and un-censored version
They make videos that are represented of the artist.
Setting the tone of whole campaign
Simple concepts are best
Lucky Charms feat. Wiley
got inspiration from up and coming directors who have filmed cheap documentaries
Like the colours and style
Shot in South Africa - same look as london but different lifestyle and not like all the other videos
Just sent the camera man out to shoot the video in South Africa
Under £10,000
Trust your director and ideas - everyone has different ideas on what its going to look like
Shooting on location or studio:
Studio good for controlling light and using graphic
Location often gives a lot more texture and depth on limited budgets
Main stream audience loves a road trip video, not original but can make it different depending on location
You Call It by Dusky
Animations leading on to different parts and different ideas
Using posters as inspiration
Really trip
That director doesn't alway do animation - mind is inspired by all sorts
Got animator he liked to visual his idea
Animation is always tricky with budget and time cause it takes a lot time to make
Wanted it to look vintage but at the same time modern
Visual should always reflect musicality of track
Build towards something at end
Years and Years - underwater bit during the middle 8 is the bit that keeps it non - repetitive
First verse - setting tone seeing artist
Chorus you want choreography and main bit
When in treatment phase they are for styles of videos that are like the video they are going to make
Go to colour grades - to balance out and make some parts different
Colour grade is important for the video image - can change minds because of the style that it gives
Look is planned in advanced so they can know the style and feel of the video
We've had a change of direction so instead of having an actual backdrop we are having projections instead. We decided that this would be easier to film and gives us more space to do more creative shots.
- Earth: Grass, trees, forest (forest wall)
- Fire: Flames all around or a bonfire and her standing by it
In todays lesson we shot our animatic. This is where we have our storyboard and we film each shot for about 10 seconds. We then go up to the editing suite and edit the shots in the order we want and to the pace of the song. An animatic is important because it enables us to get a clear image of what we want our video to look like and we can have a idea of how repetitive the song is.
We have decided to go in a different direction to the glass box because when we talked to Luke (creative director) he said that we don't have any reason to put our 'elements' in the box and it was a burden to our group.
Therefore we have decided to go with using the elements and create an idea based around that. Here are the ideas that we have come up with:
Earth:
- Nature background with vines and leaves all around her
- She is being intwined by the vines
- Leave falling on her?
Water:
- Lying against a wall with water running down on her, black background to make the water look more subtle
My teacher found a piece a perspex and said that we could experiment with it for our glass box idea.
We decided to try projections are our first test. We found that this looked good when we filmed from the singers point of view on their face so we now have to question whether we actually need the perspex to make our video or if it will look just as good without it.